Grave Goods
Grave Goods by Ariana Franklin is a historical fiction novel published by Berkley Books in 2010. This reprint edition spans 356 pages and is presented in English. The story unfolds in the aftermath of a devastating fire at Glastonbury Abbey, a site steeped in legend and believed by some to be the Isle of Avalon. Amidst the ruins, two hidden skeletons are discovered, igniting speculation about their identities, particularly whether they belong to the legendary figures of King Arthur and Guinevere. King Henry II seeks to leverage this potential find to quell a rebellion in Wales, prompting him to summon Adelia Aguilar, a skilled investigator known as the Mistress of the Art of Death.
Readers will follow Adelia as she navigates the complexities of her investigation amidst the backdrop of political intrigue and local superstition. As she examines the remains, the narrative explores themes of history, legend, and the intersection of faith and science. The Church authorities, represented by the Bishop of St. Albans, play a significant role in overseeing the inquiry, adding layers of tension to Adelia’s quest. This edition offers a detailed exploration of the events surrounding the abbey fire and the implications of the discoveries made, inviting readers to delve into a richly woven tale of mystery and historical significance.
Official synopsis Publisher
Beautiful, tranquil Glastonbury Abbey – one of England’s holiest sites, and believed by some to be King Arthur’s sacred Isle of Avalon – has been burned almost to the ground. The arsonist remains at large, but the fire has uncovered something even more shocking: two hidden skeletons, a man and a woman. The skeletons’ height and age send rumors flying – are the remains those of Arthur and Guinevere? King Henry II hopes so. Struggling to put down a rebellion in Wales, where the legend of Celtic savior Arthur is particularly strong, Henry wants definitive proof that the bones are Arthur’s. If the rebels are sure that the “Once and Future King” will not be coming to their aid, Henry can stamp out the insurgence for good. He calls on Adelia Aguilar, Mistress of the Art of Death, to examine the bones. Henry’s summons comes not a moment too soon, for Adelia has worn out her welcome in Cambridge. As word of her healing powers has spread, so have rumors of witchcraft. So Adelia and her household ride to Glastonbury, where the investigation into the abbey fire will be o655verseen by the Church authorities – in this case, the Bishop of St. Albans, who happens also to be the father of Adelia’s daughter.
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