Grainger the Modernist
Grainger the Modernist by Dr Suzanne Robinson, published by Ashgate Publishing, Ltd. on March 28, 2015, offers an in-depth exploration of Percy Grainger’s contributions to American music history and twentieth-century modernism. This 254-page volume presents Grainger as a self-identified ‘hyper-modernist’ whose innovative works challenged traditional norms, particularly in the realms of dissonance and folk song adaptation. The book delves into his reimagining of the modern orchestra and his unique approaches to composition, highlighting his experimental designs aimed at transcending human capabilities.
Readers will find a comprehensive analysis of Grainger’s social and historical context, revealing the multifaceted nature of his modernist aesthetic. The text examines various aspects of modernity reflected in his work, positioning him alongside the most progressive composers of his time. Through this reappraisal, the book sheds light on Grainger’s significant yet often overlooked role in the evolution of classical music, making it a valuable resource for those interested in music history and criticism.
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Percy Grainger has remained on the margins of American music history and twentieth-century modernism. This volume reveals him to be a self-described ‘hyper-modernist’ who composed works of uncompromising dissonance, challenged the conventions of folk song collection and adaptation, re-visioned the modern orchestra, experimented with ‘ego-less’ composition and designed machines intended to supersede human application. By reappraising Grainger’s social and historical connectedness and exploring the variety of aspects of modernity seen in his activities, the authors create a profile of a composer whose modernist aesthetic paralleled that of the most advanced composers of his day.
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