Goodbye, Little Rock and Roller

Goodbye, Little Rock and Roller by Marshall Chapman, published by St. Martin’s Press on September 10, 2004, is a first edition that spans 272 pages. This book presents an inventive exploration of the author’s life through twelve of her most resonant songs, serving as entry points to her various adventures. Rather than a traditional memoir, it offers a map of Chapman’s experiences, blending humor and warmth as she reflects on her journey from a debutante in Spartanburg, South Carolina, to a pioneering rocker.
Readers will find a rich tapestry of intimate rock and roll moments alongside memories from Chapman’s childhood. The narrative captures significant influences on her songwriting, including encounters with iconic figures like Jerry Lee Lewis and Elvis. Through these stories, Chapman illustrates how her creative process is deeply rooted in her life experiences, revealing the connections between her past and her music. Goodbye, Little Rock and Roller is a unique contribution to the genres of biography and music, showcasing a fresh Southern voice.
Official synopsis Publisher
Goodbye, Little Rock and Roller was a 2004 SEBA Book Award finalist, and a 2004 Book Critics Circle Award finalist.
Goodbye, Little Rock and Roller is an inventive and original book from Nashville singer/songwriter Chapman, who uses twelve of her most resonant songs as entry points to many of her life’s adventures. Not a memoir, but a map of the places Chapman’s been and what went through her mind as she was traveling there, this book is funny and tender, warm and exuberant.
Raised a debutante in Spartanburg, South Carolina, the daughter of a mill owner and firmly part of proper society, Chapman became a rocker at a time when women weren’t yet picking up electric guitars. She is “a living example,” as one reviewer wrote, “of the triumph of rock and roll over good breeding.”
From New Year’s Eve in 1978 when Jerry Lee Lewis gave Chapman advice on how to live life (“I mean it’s one thing when your mother says ‘Honey don’t you think you’d better slow down?’ But when The Killer voices his concern….”) to the time her black maid Cora Jeter took the seven-year-old to see Elvis, Goodbye, Little Rock and Roller goes to the moments when the influences on Chapman’s songwriting and psyche were cemented. And it winningly reveals how the creative process comes from life: one of Chapman’s favorite songs was written after waking up facedown in her underpants in her front-yard vegetable garden.
Revealing intimate rock and roll moments and memories of a South Carolina childhood, Marshall Chapman is a fresh voice firmly in the Southern tradition.
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