Funny Words in Plautine Comedy

Funny Words in Plautine Comedy by Michael Fontaine, published by Oxford University Press in 2010, explores the intricacies of language and humor in the works of Plautus, Rome’s earliest extant poet. This edition, comprising 311 pages, delves into how Plautus’ mastery of language and jokes has been underappreciated in modern scholarship. Fontaine reassesses the nature of Plautus’ comedies, arguing that many of the poet’s jokes and puns were misunderstood even in antiquity, which has led to misconceptions about character names and identities.
Readers will find a blend of textual and literary criticism that highlights key aspects of Plautine language, style, and irony. Fontaine examines the comedian’s inventive use of words and the relationship between Greek and Roman comedy, while also considering the audience’s role and the visual elements present in the plays. The book includes translations of all quotations from Latin, Greek, and other languages, along with extensive indices, including a “pundex,” to aid in navigating the numerous jokes and wordplays discussed throughout the text.
Official synopsis Publisher
Plautus, Rome’s earliest extant poet, was acclaimed by ancient critics above all for his mastery of language and his felicitous jokes; and yet in modern times relatively little attention has been devoted to elucidating these elements fully. In Funny Words in Plautine Comedy, Michael Fontaine reassesses some of the premises and nature of Plautus’ comedies. Mixing textual and literary criticism, Fontaine argues that many of Plautus’ jokes and puns were misunderstood already in antiquity, and that with them the names and identities of some familiar characters were misconceived. Central to his study are issues of Plautine language, style, psychology, coherence of characterization, and irony. By examining the comedian’s tendency to make up and misuse words, Fontaine sheds new light on the close connection between Greek and Roman comedy. Considerable attention is also paid to Plautus’ audience and to the visual elements in his plays. The result is a reappraisal that will challenge many received views of Plautus, positioning him as a poet writing in the Hellenistic tradition for a knowledgeable and sophisticated audience. All quotations from Latin, Greek, and other foreign languages are translated. Extensive indices, including a “pundex,” facilitate ease of reference among the many jokes and plays on words discussed in the text.
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