First Instruments Teaching Music Through Harmony Signing

First Instruments Teaching Music Through Harmony Signing by Nicholas Bannan is a practical guide designed for music educators working with students from kindergarten through fifth grade. Published by Oxford University Press in 2020, this illustrated edition spans 217 pages and is presented in English. The book focuses on teaching musical concepts through early childhood instruments, emphasizing the importance of voice and hand gestures in fostering a lifelong commitment to music-making.
Readers will find a classroom-tested system that integrates Kodály hand signs with physical motions, aimed at developing a confident understanding of pitch relationships through improvisation and composition. The book includes various group exercises that help students acquire a functional knowledge of harmony, often challenging for many theory students. By incorporating games, tasks, and activities into their curriculum planning, educators are encouraged to cultivate musical creativity that transcends conventional genres, allowing for exploration of diverse musical styles from history and around the globe.
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Written for music educators from K – 5 onwards, First Instruments is a practical guide to teaching musical ideas through the first instruments we develop in early childhood, laying the foundation for how the collective creativity the book presents can sustain a lifelong commitment to music-making: voice and hand gestures. Founded on the belief that all children are musical, the book gives music teachers the necessary tools to develop students’ confident understanding of pitch relationships through improvisation and composition. Author Nicholas Bannan, a veteran pedagogue and children’s choir director, accomplishes this in a classroom-tested system that combines Kod ly hand signs with extended use of physical motions that together result in deeply embodied musical knowledge. By participating in the book’s many group exercises, students develop this knowledge that ultimately paves the way for acquisition and functional working knowledge of harmony that tends to elude most theory students. As Bannan shows, all effective music teaching needs to involve singing as the portal to a secure and transferable response to pitch. First Instruments encourages educators to draw on games, tasks, and activities in relation to their own curriculum planning. Marrying the development of fluent singing abilities with harmonic understandings, this approach supports musical creativity that is not dominated by the conventional features of a particular genre or style, but instead liberates the musical imagination and enables the exploration of musical styles from throughout history and all over the world.
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