Epitaphs A Dying Art

Cover of Epitaphs A Dying Art by Samuel Fanous
Publisher: Bodleian Library
Year: 2016
Language: en
Pages: 156
ISBN-13: 9781851244515
Dimensions:
Height: 6.75 Inches
Length: 4.3333 Inches
Weight: 0.45 Pounds
Width: 0.6 Inches
Dewey Decimal: 808.8/82, 929.5
Editorial overview Touché

Epitaphs A Dying Art by Samuel Fanous, published by Bodleian Library in 2016, is a collection that explores the unique and often humorous world of epitaphs. This edition, written in English and spanning 156 pages, presents over 250 epitaphs sourced from cemeteries, churchyards, monuments, and historical records. The book highlights the creativity and personal significance of these inscriptions, ranging from the straightforward to the cleverly cryptic, capturing the essence of those they commemorate.

Readers will find a diverse array of epitaphs that reflect on mortality with wit and poignancy. The collection includes examples that announce causes of death with dark humor and others that serve as reminders of life’s fleeting nature. Notable figures in literature are also featured, showcasing their own memorable words inscribed on their tombstones. Epitaphs A Dying Art serves as both a literary exploration and a reference to customs and traditions surrounding death, making it a thought-provoking addition to the genre of literary collections.


Official synopsis Publisher

Epitaphs are words to be remembered by, short poems or phrases literally written in stone. They can be practical, carrying some variation of the familiar “Here Lies,” but they can also be brilliantly creative with personally meaningful quotes or words written especially by or for the deceased. From the simple to the cleverly cryptic, epitaphs are meant to leave a lasting impression–and many certainly do.

Epitaphs brings together more than 250 epitaphs from cemeteries, churchyards, monuments, and historical records. Some announce the cause of death with a surprisingly macabre sense of humor: “Here lies John Ross. Kicked by a hoss.” Others wryly remind readers of their own impending mortality, such as a tombstone whose rhyming inscription reads “As I am now you will surely be. / Prepare thyself to follow me.” In death as in life, many of the most famous writers were not at a loss for words. Emily Dickinson’s concise wit is evident in her headstone’s inscription “Called Back.” Yeats encouraged the horsemen of the apocalypse to “pass by.” Shakespeare’s funerary monument at Stratford-upon-Avon carries the warning “Curst be he that moves my bones,” an inscription many believe the Bard himself wrote to prevent his corpse from being exhumed in the name of research, a common practice at the time.

As tribute to a form of expression that is very much alive, Epitaphs collects some of the most intriguing examples, many of which perfectly encapsulate the person buried beneath them.

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What is “Epitaphs A Dying Art” about?
This page includes the available description and bibliographic details for “Epitaphs A Dying Art” by Samuel Fanous. Synopsis preview: Epitaphs are words to be remembered by, short poems or phrases literally written in stone. They can be practical, carrying some variation of the familiar “Here Lies,” but they can also be brilliantly creative with person…
Who is the author of “Epitaphs A Dying Art”?
“Epitaphs A Dying Art” is credited to Samuel Fanous.
When was “Epitaphs A Dying Art” published?
Publisher: Bodleian Library. Year: 2016.
What is the ISBN for “Epitaphs A Dying Art”?
ISBN-13: 9781851244515.
What are the book details (language, pages, edition)?
Language: en. Pages: 156.

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