Dusting for God’s Fingerprints

Dusting for God’s Fingerprints by George W. Baum, published by Outskirts Press, Incorporated in October 2015, is a 108-page exploration of the unseen presence of God in our lives. This book delves into the narrative of a biblical story where God’s name is absent, yet His influence is evident. Through various anecdotes and reflections, Baum invites readers to recognize the subtle signs of divine intervention in their own experiences.
In this edition, readers will encounter stories such as “Mr. Toad’s Wild Ride” and “Playing the Hand You’re Dealt,” which illustrate the search for God’s fingerprints in everyday life. The author provides biblical insights through tales like “Adam and Eve Up a Tree” and “Remembering to Laugh,” while also addressing themes of forgiveness, compassion, and kindness in stories such as “Joey’s Equation” and “The Lion Lady.” Baum’s narrative culminates in a Theo-poetic jazz rendering that connects these themes, offering a unique perspective on recognizing the divine in both personal and broader contexts.
Official synopsis Publisher
There is one book in the Bible where God’s name does not appear. However, if we look at the story in retrospect, His fingerprints are all over it. So it is sometimes in our lives. Listening to our own stories, we are often able to detect God’s hand. In Dusting for God’s Fingerprints, stories such as “Mr. Toad’s Wild Ride” and “Playing the Hand You’re Dealt” point in directions where prints may be found. “Adam and Eve Up a Tree” and “Remembering to Laugh” give biblical insights into how to look for those fingerprints, and “Nicaraguan Epiphanies,” “Redemptive Winks,” and “The Language of Grace (As Overheard in a Blues Club)” are stories that help us catch glimpses of God’s hand in our lives when none seems apparent, and “Joey’s Equation” (forgiveness), “Sam’s Club” (compassion), and “The Lion Lady” (kindness) give us tools to remove obstacles to finding prints. “The Dawn of the Remarkable” reveals the one fingerprint that gives hope in making sense of it all-and finally the dots are connected in a Theo-poetic jazz rendering of “Dusting for God’s Fingerprints.”
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