Doris Lessing Interrogating the Times

Doris Lessing Interrogating the Times by Debrah Raschke, published by Ohio State University Press in 2015, offers a critical examination of Doris Lessing’s work and its relevance to contemporary issues. This edition spans 252 pages and is presented in English. The collection of essays engages with significant themes such as sexuality, gender, terrorism, race, and colonialism, reflecting on how these topics resonate within the complexities of the twenty-first century.
Readers will find that this volume not only traces the evolution of Lessing’s representations of controversial subjects but also highlights the necessity of rethinking established narratives in light of new cultural and political contexts. Contributors assess Lessing’s literary contributions from the beginning of her career, challenging previous interpretations and emphasizing her role as a provocative voice. By exploring her experiments with genre and narrative, the essays encourage a reevaluation of commonly held assumptions about the contemporary world and our connections to it.
Official synopsis Publisher
Doris Lessing: Interrogating the Timeswrestles with the ghosts that continue to haunt our most pressing twenty-first-century concerns: how to reconceive imprisoning conceptions of sexuality and gender, how to define terrorism, how to locate the personal, and how to write on race and colonialism in an ever-slippery postmodern world. This collection of essays clearly establishes Lessing’s importance as a unique and necessary voice in contemporary literature and life.
In tracing the evolution in Lessing’s representations of controversial subjects, this volume shows how new cultural and political contexts demand new solutions. Focusing on Lessing’s experiments with genre and on the ramifications of narrative itself, the collection asks readers to reformulate some of their most taken-for-granted assumptions about the contemporary world and their relation to it.
Contributors to Doris Lessing: Interrogating the Times assess Lessing’s vision of the past and its relevance for the future by revisiting texts from the beginning of her career onward while at the same time probing previous interpretations of these works. These reassessments reveal Lessing’s continued role as a gadfly who, in disrupting rigid constructions of right and wrong and of good and evil, forces her readers to move beyond “you are damned, we are saved” narratives. As rationales such as these continue to permeate global venues, Lessing’s oeuvre becomes increasingly relevant.
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