Digging Up Stories Applied Theatre, Performance and War

“Digging Up Stories: Applied Theatre, Performance and War” by James Thompson, published by Manchester University Press in 2005, offers an insightful exploration of theatre practice in communities impacted by war and exclusion. This edition, comprising 262 pages, presents each chapter as a distinct narrative, written in an engaging style that incorporates contemporary performance theories. The book addresses various topics, including participatory theatre in refugee camps and traditional dance-dramas in conflict zones, providing a comprehensive overview of the challenges and dynamics of applied theatre.
Readers will find a diverse range of theatre practices documented through project reports, ethnographic accounts, and performance analysis. The chapters delve into ethical considerations and the complexities of teaching dance within these contexts. By blending research with personal reflection, Thompson creates a nuanced examination of the intersection between applied theatre and traditional performance, as well as its relevance in everyday life. This work invites readers to reflect on the role of theatre in addressing social issues and the transformative potential of performance in challenging environments.
Official synopsis Publisher
In ‘Digging up stories’, James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or ‘story’ is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss:
– participatory theatre in refugee camps
– theatre workshop and stories of a massacre
– traditional dance-dramas in an insurgent controlled
village
– ‘Forum’ theatre with the Mahabharata
– ethical issues
– the struggle to teach the author to dance
‘Digging up stories’ documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson’s research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting.
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