Death in Ancient Rome

“Death in Ancient Rome” by Catharine Edwards, published by Yale University Press in 2007, is a reprint edition comprising 287 pages in English. This book delves into the significance of death in Roman society, exploring how the manner of a person’s death served as a reflection of their character. Edwards draws on a variety of historical and literary sources, including works by Cicero, Virgil, and Seneca, to examine the complex cultural narratives surrounding death in ancient Rome.
Readers will find an in-depth analysis of how death was perceived as a spectacle, often marked by violence and drama. The text investigates notable deaths, from political executions to the revered last moments of philosophers and martyrs, highlighting the societal values attached to these events. Through this exploration, the book addresses themes of family, relationships, and the philosophical implications of dying, providing a comprehensive view of the cultural landscape of death in ancient Rome.
Official synopsis Publisher
For the Romans, the manner of a person’s death was the most telling indication of their true character. Death revealed the true patriot, the genuine philosopher, even, perhaps, the great artist–and certainly the faithful Christian. Catharine Edwards draws on the many and richly varied accounts of death in the writings of Roman historians, poets, and philosophers, including Cicero, Lucretius, Virgil, Seneca, Petronius, Tacitus, Tertullian, and Augustine, to investigate the complex significance of dying in the Roman world.
Death in the Roman world was largely understood and often literally viewed as a spectacle. Those deaths that figured in recorded history were almost invariably violent–murders, executions, suicides–and yet the most admired figures met their ends with exemplary calm, their last words set down for posterity. From noble deaths in civil war, mortal combat between gladiators, political execution and suicide, to the deathly dinner of Domitian, the harrowing deaths of women such as the mythical Lucretia and Nero’s mother Agrippina, as well as instances of Christian martyrdom, Edwards engagingly explores the culture of death in Roman literature and history.
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