Convergence Media History

Convergence Media History by Janet Staiger, published by Routledge in 2009, offers a comprehensive examination of how digital convergence has transformed the landscape of media history. This edition spans 211 pages and is presented in English. The book challenges traditional narratives by emphasizing the interconnectedness of various media forms, such as film, television, and new media, and explores the implications of these intersections for the study of media history.
Readers will find a collection of eighteen essays from prominent media historians that delve into contemporary issues in writing media history. Each essay focuses on a specific medium, including film, television, and advertising, while linking its history to broader themes in the field. Topics discussed include the influence of new media technologies on established media practices, alternative perspectives on film production and exhibition, and the evolving dynamics between audiences and media culture. This scholarly work invites readers to rethink the methodologies and narratives that shape our understanding of media history in a convergent world.
Official synopsis Publisher
Convergence Media History explores the ways that digital convergence has radically changed the field of media history. Writing media history is no longer a matter of charting the historical development of an individual medium such as film or television. Instead, now that various media from blockbuster films to everyday computer use intersect regularly via convergence, scholars must find new ways to write media history across multiple media formats. This collection of eighteen new essays by leading media historians and scholars examines the issues today in writing media history and histories. Each essay addresses a single mediumâe”including film, television, advertising, sound recording, new media, and moreâe”and connects that specific mediumâe(tm)s history to larger issues for the field in writing multi-media or convergent histories. Among the volumeâe(tm)s topics are new media technologies and their impact on traditional approaches to media history; alternative accounts of film production and exhibition, with a special emphasis on film across multiple media platforms; the changing relationships between audiences, fans, and consumers within media culture; and the globalization of our media culture.
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