Concrete Regionalism
Concrete Regionalism by Catherine Slessor, published by Thames & Hudson in 2000, explores the innovative work of four prominent international architects who skillfully blend vernacular building techniques with concrete. This edition, comprising 128 pages, presents a detailed examination of how these architects—Antoine Predock, Tadao Ando, Riccardo Legorreta, and Wiel Arets—create structures that resonate with their environments while serving as significant symbols that extend beyond their immediate contexts.
Readers will find a thoughtful analysis of each architect’s unique approach, highlighting how their designs reflect local conditions yet possess a timeless quality. The book delves into the individual visions of Predock’s interpretations of the Southwest, Ando’s seamless integration into various settings, Legorreta’s vibrant nods to Mexico’s heritage, and Arets’s modernist expressions. Concrete Regionalism emphasizes the enduring quest for meaningful architectural forms, making it a valuable resource for those interested in architecture and design methodologies.
Official synopsis Publisher
Concrete Regionalism presents the work of four of today’s most lauded and accomplished international architects, each of whom has combined vernacular building with a carefully conceived use of concrete. These buildings sensitively respond to their environments, while functioning as monumental symbols that transcend their immediate surroundings.
The approaches of Antoine Predock (Albuquerque), Tadao Ando (Osaka), Riccardo Legorreta (Mexico City), and Wiel Arets (The Netherlands) have allowed them to forge an architectonic language that is both solid and meaningful. From Predock’s sensitive interpretations of America’s Southwest desert to Ando’s graceful intervention into natural and urban contexts, from Legorreta’s bold representations of Mexico’s rich pre-Columbian heritage to Arets’s cool “second-modernist” forms, each architect’s highly individual vision has created unique buildings for people and their environments.
In one sense the result of local conditions, the buildings in Concrete Regionalism also seem to exist out of time and place, constant reminders that there persists in architecture a search for enduring form.
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