Composition Studies 43.1 (Spring 2015)

Composition Studies 43.1 (Spring 2015) by Laura R. Micciche, published by Parlor Press on May 3, 2015, is a scholarly edition comprising 216 pages in English. This issue features a special focus on comics, multimodality, and composition, offering a collection of articles and course designs that explore the intersection of these topics within the field of writing and rhetoric.
Readers will find a range of contributions that examine the rhetoric of comics and their pedagogical implications, including discussions on narrative rhetoric and critical multiliteracies. The edition also includes course design suggestions that integrate graphic novels into literature and composition studies. With insights from various contributors, this volume serves as a resource for those interested in language arts, writing skills, and the evolving landscape of composition studies.
Official synopsis Publisher
CONTENTS OF COMPOSITION STUDIES 43.1 (Spring 2015) From the Editor Special Issue: Comics, Multimodality, and Composition, Dale Jacobs, Guest Editor Composing With: A Comic Strip Cover Story by Gary Weissman Composing the Uncollectible by Franny Howes ARTICLES: The Rhetoric of the Paneled Page: Comics and Composition Pedagogy by Gabriel Sealey-Morris Beyond Talking Heads: Sourced Comics and the Affordances of Multimodality by Hannah Dickinson and Maggie M. Werner Illustrating Praxis: Comic Composition, Narrative Rhetoric, and Critical Multiliteracies by Kathryn Comer The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy by Molly J. Scanlon COURSE DESIGN: English 177: Literature and Popular Culture, The Graphic Novel by Leah Misemer ENGL 1102: Literature and Composition: Handwriting and Typography by Aaron Kashtan WHERE WE ARE: INTERSECTIONS: The Underdog Disciplines: Comics Studies and Composition and Rhetoric1 by Susan Kirtley Graphic Disruptions: Comics, Disability and De-Canonizing Composition by Shannon Walters Comics and Scholarship: Sketching the Possibilities by Erin Kathleen Bahl, Ohio State University BOOK REVIEWS: Comics and Composition, Comics as Composition: Navigating Production and Consumption Reviewed by Tammie M. Kennedy and Jessi Thomsen and Erica Trabold: Review of Contemporary Comics Storytelling, by Karin Kukkonen; Linguistics and the Study of Comics, edited by Frank Bramlett; Narrative Structure in Comics: Making Sense of Fragments, by Barbara Postema Multimodal Literacies and Graphic Memoir: Using Alison Bechdel in the Classroom, Reviewed by Janine Morris, Review of Are You My Mother? A Comic Drama, by Alison Bechdel; Fun Home: A Family Tragicomic, by Alison Bechdel Re/Framing Identifications, edited by Michelle Ballif, Reviewed by Peter Brooks Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Molly J. Scanlon DIY Citizenship: Critical Making and Social Media, edited by Matt Ratto and Megan Boler, Reviewed by Jason Luther Contributors
Publisher
Topics
FAQ
What is “Composition Studies 43.1 (Spring 2015)” about?
Who is the author of “Composition Studies 43.1 (Spring 2015)”?
When was “Composition Studies 43.1 (Spring 2015)” published?
What is the ISBN for “Composition Studies 43.1 (Spring 2015)”?
What are the book details (language, pages, edition)?
