Camera Lucida Reflections on Photography
Camera Lucida Reflections on Photography by Roland Barthes is a contemplative exploration of photography, published by Farrar, Straus and Giroux on October 12, 2010. This reprint edition spans 144 pages and is presented in English. Barthes applies his perceptive insights to the medium of photography, examining its unique ability to convey themes of death and loss, while also discussing notable artists such as Avedon, Clifford, Mapplethorpe, and Nadar.
In this work, Barthes presents photography as transcending the boundaries of language and culture, affecting both the body and the mind. Readers will find a thoughtful critique that delves into the philosophical and aesthetic dimensions of photography, making it a significant contribution to the field of visual criticism. This edition invites readers to reflect on the deeper implications of photographic imagery and its impact on human experience.
Official synopsis Publisher
Camera Lucida, Roland Barthes’s personal, wide-ranging, and contemplative volume–and the last book he published–finds the author applying his influential perceptiveness and associative insight to the subject of photography.
Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium.
This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag’s On Photography.
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