Broadway Theatre
Broadway Theatre by Andrew Bennett Harris, published by Psychology Press in 1994, offers an insightful exploration of the complexities surrounding American drama. This 180-page edition delves into the realities and myths of Broadway, examining the contributions of notable figures such as Tennessee Williams, Eugene O’Neill, and David Mamet. Through a detailed narrative, Harris presents the intricate processes involved in bringing a play from its initial draft to the stage, highlighting the interplay between artistic vision and commercial viability.
Readers will find a comprehensive analysis of the various elements that shape Broadway productions, including the roles of producers, reviewers, agents, and managers. The book also addresses the relationship between acting styles and writing styles, providing a nuanced understanding of stagecraft and scenography. With its focus on drama and theater history, Broadway Theatre serves as a valuable resource for those interested in the performing arts and the evolution of American theater.
Official synopsis Publisher
‘Broadway’ has been the stuff of theatrical legends for generations. In this fascinating and affectionate account of a unique theatrical phenomenon, Andrew Harris takes an intriguing look at both the reality and the myth behind the heart and soul of American Drama
Broadway Theatre explores:
* the aims and achievements of such major figures as Tennessee Williams, Eugene O’Neill and David Mamet
* the processes a play goes through from preliminary draft to opening night
* the careful balancing between aesthetic ideals and commercial considerations
* the place of producers, reviewers, agents and managers and their contribution to the process
* the relationship between acting styles and writing syles for Broadway plays
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