British Crime Cinema
British Crime Cinema by Steve Chibnall is a comprehensive exploration of a significant yet often overlooked genre in British film. Published by Psychology Press in 1999, this edition spans 251 pages and is presented in English. The book brings together original contributions from prominent writers in the field, offering insights into the evolution of British crime cinema through various eras and styles.
Readers will find a detailed examination of both contemporary and classic films, including interviews with notable directors such as Mike Hodges and Donald Cammell. The text discusses a range of films, from acclaimed recent works like Shallow Grave and Face to timeless classics such as Brighton Rock and The Long Good Friday. This study not only highlights the historical context of British crime films but also situates them within broader discussions of media studies and social science, making it a valuable resource for those interested in film history and criticism.
Official synopsis Publisher
This is the first substantial study of British cinema’s most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:
* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.
* early classics like They Made Me A Fugitive
* acknowledged classics such as Brighton Rock and The Long Good Friday
* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
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