Botero (Great Modern Masters)
“Botero” by Jose Maria Faerna is a comprehensive exploration of the renowned Colombian artist Fernando Botero, published by Harry N. Abrams in February 1997. This first edition features 64 pages and is presented in English. The book delves into Botero’s artistic journey, highlighting his distinctive style characterized by voluptuous figures and the concept of distortion as a core element of his work.
Readers will find a rich array of content, including an engaging text and reproductions of over sixty artworks. The book is structured to cover various aspects of Botero’s oeuvre, such as self-portraits, nudes, still lifes, and depictions of life in Colombia. Additionally, it includes a section dedicated to the artist’s “paraphrases,” showcasing his unique reinterpretations of familiar art historical themes. This edition offers valuable insight into Botero’s significant contributions to modern art in the twentieth century.
Official synopsis Publisher
One of today’s preeminent Colombian artists, Fernando Botero (b. 1932) has for several decades been the focus of much critical attention. Best known for his voluptuous figures, the artist sees distortion as the essence of art.
Culling from his vast and diverse art historical background, the artist often reworks familiar precedents in his own distinctive style. One section of this book is devoted entirely to these “paraphrases,” while others focus on self-portraits, nudes, still lifes, figures and characters, and life in Colombia.
With an engaging text and reproductions of more than sixty works, this book provides readers with compelling insight into Botero’s life, career, and significant role in the development of twentieth-century art.
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