Bone by Bone Shadow Country Trilogy (3)

Bone by Bone by Peter Matthiessen, published by Knopf Doubleday Publishing Group on July 18, 2000, is presented in this 1st Vintage International Edition, comprising 432 pages in English. This novel continues the exploration of E. J. Watson, a complex figure first introduced in Killing Mister Watson, delving into themes of violence, racism, and the environmental degradation tied to the American Dream.
Readers will encounter a richly detailed narrative that examines the life of Watson, a cane planter haunted by his past and the societal demons of his time. The story unfolds against the backdrop of the early twentieth-century Everglades, revealing the intricate connections between personal ambition and historical injustices. Bone by Bone offers a profound literary experience, inviting reflection on the legacy of the Civil War and Reconstruction while portraying the struggles of a man caught in the throes of his aspirations and the harsh realities of his environment.
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“Watson’s voice is an artistic triumph. . .[Bone by Bone] may well come to be regarded as a classic.” —San Francisco Chronicle Book Review
In Bone by Bone, Peter Matthiessen speaks in the extraordinary voice of the enigmatic and dangerous E. J. Watson, whom we first saw, obliquely, through the eyes of his early twentieth-century Everglades community in Killing Mister Watson.
This astonishing new novel, calling to account the violence, virulent racism, and destruction of the land that fueled the so-called American Dream, points an accusing finger straight into the burning eyes of Uncle Sam. Here is the bloodied child of the Civil War and Reconstruction who dreams of recovering the family plantation. He becomes the gifted cane planter nearing success on a wilderness river when he gives in fatally to his accumulating demons. Powerfully imagined, prodigiously detailed, Bone by Bone is a literary tour de force as bold and ambitious as Watson himself.
“Like a true tragic figure, [Watson] knows and understands; he does not wriggle to save his own skin,” said The New York Times. “This is a work of genuine dignity.”
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