Black Like Me
Black Like Me by John Howard Griffin is a significant work published by Penguin on October 20, 2010, as a 50th Anniversary edition. This 208-page book presents Griffin’s firsthand account of his experiences in the segregated South during the 1950s, where he transformed his appearance to explore the realities faced by African Americans. Through this profound journey, Griffin sheds light on the stark contrasts between his previous life as a white man and the harsh realities of discrimination and disenfranchisement.
Readers will find a detailed narrative that captures Griffin’s observations and reflections as he navigates the complexities of race relations in America. The book delves into themes of social science, discrimination, and civil rights, offering insights into the societal structures that perpetuate inequality. With an epilogue by the author and an afterword by Robert Bonazzi, this edition provides a comprehensive look at the historical context and ongoing relevance of Griffin’s experiences, making it a thought-provoking read for those interested in biography, political science, and the enduring issues of race in society.
Official synopsis Publisher
THE HISTORY-MAKING CLASSIC ABOUT CROSSING THE COLOR LINE IN AMERICA’S SEGREGATED SOUTH
“One of the deepest, most penetrating documents yet set down on the racial question.”—Atlanta Journal & Constitution
In the Deep South of the 1950’s, a color line was etched in blood across Louisiana, Mississippi, Alabama, and Georgia. Journalist John Howard Griffin decided to cross that line. Using medication that darkened his skin to deep brown, he exchanged his privileged life as a Southern white man for the disenfranchised world of an unemployed black man.
What happened to John Howard Griffin—from the outside and within himself—as he made his way through the segregated Deep South is recorded in this searing work of nonfiction. His audacious, still chillingly relevant eyewitness history is a work about race and humanity every American must read.
With an Epilogue by the author
and an Afterword by Robert Bonazzi
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