Bird Head Son (Salt Modern Poets)

“Bird Head Son” by Joseph Anthony, published by Salt Publishing in 2009, is a collection of poetry that marks the poet’s first new work since 1997’s “Teragaton.” Comprising 96 pages, this edition presents a series of original poems that explore the poet’s experiences in Trinidad, particularly during the 1970s and 80s, and his subsequent move to the UK in 1989. The collection is divided into six sections, each reflecting on themes of exile, family, and ancestry, while also delving into the cultural significance of Carnival and the concept of ‘home.’
Readers will find that the poems in “Bird Head Son” are both autobiographical and universal, capturing the essence of Trinidadian life and the complexities of identity. The work features innovative forms and a blend of surrealism with Caribbean rhythms, offering insights into the poet’s aesthetic development. Through these poems, Joseph Anthony provides a reflective journey that connects personal narratives with broader cultural themes, culminating in a poetic exploration of his roots and the evolution of his artistic voice.
Official synopsis Publisher
Anthony Joseph’s last book was the critically acclaimed “The African Origins of UFOs”, this is the first new collection of poetry by Joseph since 1997’s ‘black surrealist manifesto’ “Teragaton”. Written over a 5 year period, the highly original poems and experiments with form in “Bird Head Son” cover the poet’s ‘1st life’ in Trinidad, beginning with his departure from Trinidad to the UK in 1989, the poems are divided into 6 sections, each considering an aspect of the poets experience of Trinidad life in the 1970s and 80s. The poems are autobiographical but they cover universal themes such as exile, family and ancestry, Carnival, ‘home’, the dream or mythic Caribbean in a haunting section entitled “Backroads of the Mythic” and in the final “Epilogue” section, a return to ‘the floating island’ that ‘home’ has become. The personal becomes the universal in these poems. The collection effectively forms a poetic closure to the poet’s roots and beginnings. In this process of distillation the poems illuminate the seminal experiences that have shaped the poets aesthetic. In this way, it is also an autobiography of the mind. These innovative poems, shot through with Joseph’s trademark surrealism and his juxtaposition of Caribbean attitude, rhythm and post modern poetic technique show why Joseph is considered ‘the leader of the black avant garde’ in Britain and one of the UKs most original voices.
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