Beat Poets

Beat Poets by Carmela Ciuraru is a first edition anthology published by Knopf Doubleday Publishing Group on July 9, 2002. This 256-page collection presents a selection of poetry from over twenty-five writers associated with the influential Beat Generation, showcasing their unique blend of spiritual and social awareness through a diverse range of voices and styles.
Readers will find works from iconic figures such as Allen Ginsberg and Jack Kerouac, alongside contributions from notable poets like Gregory Corso, Lawrence Ferlinghetti, and Diane DiPrima. The anthology captures the audacious spirit and improvisational nature of Beat poetry, featuring both celebrated pieces and lesser-known works that reflect the movement’s countercultural ethos. With its high production standards, including acid-free cream-colored paper and decorative endpapers, this volume serves as a significant literary collection for those interested in American poetry and literary movements.
Official synopsis Publisher
Visceral and powerful, infused with an unmediated spiritual and social awareness, the poetry of the Beats is presented here in a stunning and portable hardcover selection.
This rousing anthology features the work of more than twenty-five writers from the great twentieth-century countercultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range.
The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers.
Everyman’s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
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