Beastie Boys

Beastie Boys by Spike Jonze, published by Rizzoli on April 8, 2020, is a photography book that showcases over two hundred personal photographs taken by the Academy Award-winning director and photographer. This edition offers a unique glimpse into the relationship between Jonze and the iconic hip-hop group, capturing moments from their early days in Los Angeles to their creative processes and personal interactions. The book features contributions from Mike Diamond and Adam Horovitz, providing context and insights into their experiences together.
Readers will find an intimate portrayal of the Beastie Boys, highlighting their journey through candid images that reflect their personalities and artistic endeavors. The collection includes scenes from live performances, studio recordings, and playful moments, emphasizing the genuine friendship between the band and Jonze. With themes of music, photography, and celebrity, this book serves as a visual narrative that celebrates the essence of the Beastie Boys and their impact on hip-hop culture.
Official synopsis Publisher
The first book of photography to be published by the Academy Award-winning film director and photographer Spike Jonze. Will appeal to every fan of Beastie Boys and golden-era hip hop, as well as photography and Spike Jonze’s own focused audiences.
Spike Jonze and Beastie Boys met for the first time in Los Angeles in 1991, when Jonze went out to photograph the band for the cover of Dirt magazine. A connection formed between the three MCs and the young photographer, which has lasted throughout their careers.
Almost thirty years later–published to coincide with the release on Apple+ of a new documentary, Beastie Boys Story–this book collects for the first time more than two hundred of Spike Jonze’s personal photographs of his time spent with the group. Edited and with an afterword by Jonze, and including new writing by Mike Diamond and Adam Horovitz themselves, this book shows an intimate look at the greatest act of the hip-hop generation in their truest colors as only a close friend could see them–from performing live onstage to writing together at Mike’s apartment; getting into character for a video to dressing up as old men to hit the basketball court; recording music in the studio to goofing around on the streets of New York.
From the music video for “Sabotage” to the cover of the Sounds of Science album, Spike Jonze is responsible for some of the most iconic images of the band ever made. But here, the emphasis is on the candid, the unexpected, and the real–just pictures of friends who like making stuff together.
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