Back in 1984
Back in 1984 by Richard Woolley, published by AuthorHouse in 2010, is a 320-page work that explores the emotional landscape of a young couple navigating the complexities of love and life during a transformative era. The narrative is divided into two parts, with the first section, “Feeling Time,” focusing on Joe Travis and Mary Thwaites as they confront pivotal events that challenge their relationship. Set against the backdrop of Leeds, with flashbacks to Berlin and London, the story delves into their struggles with self-obsession and the ideals of 1970s libertarianism.
The second part, “On the Horizon,” shifts to a diary format, offering an intimate glimpse into Joe’s life over the course of a year. This section captures his attempts to balance filmmaking, relationships, and the pressures of adulthood, all while reflecting on themes such as male friendship and the challenges of conception. Woolley’s writing combines humor and insight, providing a nuanced look at the trials of love and the societal changes of the late twentieth century.
Official synopsis Publisher
A keen insight into the emotional world of a young couple caught in the crosscurrents of seventies idealism and eighties realism
Back in 1984 is divided into two parts. Part one, Feeling Time, examines a day-in-the-life of on-off lovers, Joe Travis and Mary Thwaites a day, on which both are confronted by dramatic events that eventually reunite them. As the day progresses, scenes from their pasts bubble up, shedding light on two people in difficulty but still full of the dreams and delusions of 1970’s libertarianism as well as love for each other. The story, set in Leeds with flashbacks to seventies Berlin and sixties London, shows Joe and Mary learning to balance self-obsession with the needs of others.
Part two, On the Horizon, continues the story of Joe and Mary, but is told in diary form by Joe alone. A year in the life of a man trying to make films, babies and sense out of life, love, sex and sexuality. In contrast to the literary distance of part one, the reader is thrown into the maelstrom of one man’s existence. The miner’s strike, the nature of male friendship, the delights and disappointments of sex, the pressures of conception, the idyll of a writing holiday in Tuscany all are interwoven in fast moving prose that offers humour and insight amidst glimpses of despair.
“Well-written, witty and observant, it gets under the skin of late twentieth century political correctness, reminds us of the universal nature of grief and encourages us to never give up and always be open to change.”
SAMUEL MADSON
“If you find relationships and co-habitation an uphill struggle, dealing with death difficult and making babies something of a drama, read this!”
RACHEL WEST
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