The Brontë Myth
The Brontë Myth by Lucasta Miller, published by Knopf on January 13, 2004, is a comprehensive exploration of the cultural legacy of the Brontë sisters. This first edition, spanning 368 pages, delves into how Charlotte, Emily, and Anne Brontë have been reinterpreted across generations, reflecting evolving perceptions of women writers, sexuality, and individuality. Miller examines the fascination with the Brontës that began almost immediately after their novels were published, highlighting the myths that arose around their lives and works.
In The Brontë Myth, readers will find an insightful analysis of how cultural narratives have shaped the public’s understanding of the Brontë sisters. The book traces the evolution of their portrayals, from Charlotte’s attempts to protect her sisters’ legacies to the various interpretations that emerged in the 20th century. Miller addresses the impact of their upbringing, the societal expectations of their time, and the myths that have obscured their true identities as writers. This examination provides a nuanced view of the Brontë family, revealing the complexities of their lives and the literary significance of their contributions.
Official synopsis Publisher
Since 1857, hardly a year has gone by without a book or play or monograph or film about the Brontës. Each generation has reimagined Charlotte, Emily, and Anne in ways that reflect changing visions—of the role of the woman writer or of sexuality or of the very concept of personality. Charlotte Brontë has been seen as domestic saint, as sex-starved hysteric, as ambitious literary careerist. Her sister Emily has been furnished with apocryphal lovers of both sexes; has even been denied the authorship of Wuthering Heights by conspiracy theorists who attribute it to her brother, Branwell.
Now Lucasta Miller, in The Brontë Myth, shows us how the Brontës became cultural symbols almost as soon as their novels were published; how they became notorious even before the veil dropped from their carefully chosen pseudonyms, as Charlotte’s Jane Eyre and Emily’s Wuthering Heights, appearing out of nowhere, instantly fascinated, inspired, and scandalized English readers.
The subsequent discovery that Currer, Ellis, and Acton Bell were three youngish spinsters— parson’s daughters—living rural lives of utmost propriety made interest in the sisters obsessive. Add a supposedly ferocious father and untimely death, to say nothing of the Victorian penchant for seeing noble sacrifice in every possible situation, and the production of legends multiplied.
Lucasta Miller provides fascinating insight into the manufacture of cultural myth and how it can distort our memory of the artist even as it obscures the art. She traces the reinterpretations, indeed re-creations, of the Brontës, from Charlotte’s own efforts to soften her dead sisters’ reputations and Mrs. Gaskell’s classic portrait of the artists as exemplary Christian ladies to the fashionably Freudian psychobiographies of the 1920s and ’30s, from counterfeit memorabilia and the promotion of literary tourism to Hollywood representations of gloomy heroines on savage windswept moors. She rescues the Brontës from their admirers and attackers, giving us back three vivid women who, with little formal education, were writing in the days when few women dared to try: geniuses and sisters who, in the words of a household witness in the late 1850s, were “as cheerful and full of spirits as possible…. full of fun and merriment.”
From the Trade Paperback edition.
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