Monumental Propaganda

Monumental Propaganda by Vladimir Voinovich, published by Knopf on July 13, 2004, is a first edition novel comprising 384 pages. This work presents a comic exploration of the absurdities of politics and the individual’s role within historical events. The narrative follows Aglaya Stepanovna Revkina, a staunch believer in Stalin, who navigates the complexities of the Khrushchev era while clinging to her personal icon—a statue of Stalin that she has moved into her apartment after his death.
Readers will find a humorous yet poignant examination of Stalinism and the shifting political landscape during the final years of Soviet rule. Voinovich’s narrative delves into themes of belief and disillusionment, showcasing the protagonist’s struggle to maintain her convictions amid changing ideologies. This edition offers a unique perspective on the interplay between personal and political realms, reflecting the author’s sharp satirical voice and insightful commentary on historical events.
Official synopsis Publisher
From Vladimir Voinovich, one of the great satirists of contemporary Russian literature, comes a new comic novel about the absurdity of politics and the place of the individual in the sweep of human events.
Monumental Propaganda, Voinovich’s first novel in twelve years, centers on Aglaya Stepanovna Revkina, a true believer in Stalin, who finds herself bewildered and beleaguered in the relative openness of the Khrushchev era. She believes her greatest achievement was to have browbeaten her community into building an iron statue of the supreme leader, which she moves into her apartment after his death. And despite the ebb and flow of political ideology in her provincial town, she stubbornly, and at all costs, centers her life on her private icon.
Voinovich’s humanely comic vision has never been sharper than it is in this hilarious but deeply moving tale–equally all-seeing about Stalinism, the era of Khrushchev, and glasnost in the final years of Soviet rule. The New York Times Book Review called his classic work, The Life & Extraordinary Adventures of Private Ivan Chonkin, “a masterpiece of a new form–socialist surrealism . . . the Soviet Catch-22 written by a latter-day Gogol.” In Monumental Propaganda we have the welcome return of a truly singular voice in world literature.
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