Leonard Bernstein: American Original

“Leonard Bernstein: American Original” by Burton Bernstein, published by Harper on August 19, 2008, offers an in-depth exploration of one of the most influential musicians of the twentieth century. This 240-page book delves into Leonard Bernstein’s remarkable career, from his conducting debut at the New York Philharmonic at age 25 to his Broadway successes with productions like “On the Town,” “Wonderful Town,” and “West Side Story.” The narrative unfolds against the vibrant backdrop of post-World War II New York City, highlighting Bernstein’s multifaceted contributions to both popular and classical music.
Readers will find a collection of essays that provide a nuanced examination of Bernstein’s relationship with New York City and its iconic orchestra. Contributors include notable figures such as composer John Adams and music historians Paul Boyer and Joseph Horowitz, who offer insights into Bernstein’s legacy as a conductor, educator, and activist. Enhanced by personal reminiscences from Burton Bernstein, the book presents a comprehensive portrait of Leonard Bernstein, capturing both his artistic achievements and his impact on American culture.
Official synopsis Publisher
One of the most gifted, celebrated, scrutinized, and criticized musicians in the second half of the twentieth century, Leonard Bernstein made his legendary conducting debut at the New York Philharmonic in 1943, at age 25. A year later, he became a sensation on Broadway with the premiere of On the Town. Throughout the 1950s, his Broadway fame only grew with Wonderful Town, Candide, and West Side Story. And in 1958, the Philharmonic appointed him the first American Music Director of a major symphony orchestra—a signal historical event. He was adored as a quintessential celebrity but one who could do it all—embracing both popular and classical music, a natural with the new medium of television, a born teacher, writer, and speaker, as well as a political and social activist. In 1976, having conducted the Philharmonic for more than one thousand concerts, he took his orchestra on tour to Europe for the last time.
All of this played out against the backdrop of post-Second World War New York City as it rose to become the cultural capital of the world—the center of wealth, entertainment, communications, and art—and continued through the chaotic and galvanizing movements of the 1960s that led to its precipitous decline by the mid 1970s.
The essays within this book do not simply retell the Bernstein story; instead, Leonard Bernstein’s brother, Burton Bernstein, and current New York Philharmonic archivist and historian, Barbara B. Haws, have brought together a distinguished group of contributors to examine Leonard Bernstein’s historic relationship with New York City and its celebrated orchestra. Composer John Adams, American historians Paul Boyer and Jonathan Rosenberg, music historians James Keller and Joseph Horowitz, conductor and radio commentator Bill McGlaughlin, musicologist Carol Oja, and music critics Tim Page and Alan Rich have written incisive essays, which are enhanced by personal reminiscences from Burton Bernstein. The result is a telling portrait of Leonard Bernstein, the musician and the man.
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