After the Fall (Penguin Plays & Screenplays)

After the Fall by Arthur Miller, published by Penguin Books Ltd in April 1968, is a Student Edition that serves as a comprehensive guide to Miller’s play. This edition includes an extensive introduction by Brenda Murphy, which offers insights into Miller’s life and the historical context surrounding the work. The play itself is a psychological study of its protagonist, Quentin, exploring themes of morality and human consciousness against the backdrop of significant historical events.
Readers will find a detailed summary of the plot, commentary on characters, and an analysis of themes and language. This edition also features over twenty questions for further study and notes on specific words and phrases from the text, making it a valuable resource for students of literature and drama. After the Fall delves into complex issues such as the Holocaust and McCarthyism, while also reflecting on personal experiences, including the career and death of Marilyn Monroe. The play represents a modernist approach to drama, focusing on the interplay between individual consciousness and broader social dynamics.
Official synopsis Publisher
This Student Edition of After the Fall is perfect for students of literature and drama and offers an unrivalled and comprehensive guide to Miller’s play. It features an extensive introduction by Brenda Murphy which includes a chronology of Miller’s life and times, a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study and detailed notes on words and phrases from the text, this is the definitive edition of the play. After the Fall (1964) is embedded in historical events that were bound up with Arthur Miller’s personal life. It is an intensely personal psychological study of its protagonist Quentin and a moral and philosophical commentary on the Holocaust, McCarthyism, and the career and death of Marilyn Monroe. The play marks the full realisation of Miller’s modernist experimentation in trying to create a form that dramatises both human consciousness or subjectivity and its interrelationship with social and familial dynamics. A drama that takes place in the mind and thoughts of its protagonist, where memories are overshadowed by the Holocaust, the play is a moving study of human consciousness, morality and how we should live our lives once we have come to the realisation that we exist ‘after the Fall’.
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