The Pre-Raphaelites

The Pre-Raphaelites by Tate Gallery is a comprehensive exploration of the Pre-Raphaelite movement, published by The Tate Gallery & Penguin Books in 1984. This 2nd Printing edition spans 312 pages and is presented in English. The book traces the movement’s development from its inception in 1848 through to 1860, while also including significant works from the subsequent two decades, highlighting the evolution of styles and themes within Pre-Raphaelitism.
Readers will find a detailed examination of 250 works from various collections worldwide, accompanied by insights from scholars including Mary Bennett and Judith Bronkhurst. The volume emphasizes a chronological approach, allowing for a deeper understanding of the movement’s dynamics and the interplay of different artistic expressions. The introduction by Sir Alan Bowness provides context on the development of Pre-Raphaelitism, while the arrangement of the book encourages exploration of its diverse influences and directions.
Official synopsis Publisher
Tracing the Pre-Raphaelite movement through its chronological development rather than by artist, this volume concentrates on the vital years from 1848 (when the Brotherhood was formed) to 1860, but also includes a substantial group of works from the following 20 years – a period during which the movement took new directions. The full range of Pre-Raphaelite painting is represented, from the hard-edged style of Millais’s early work to the sensuousness of Rossetti’s and Burne-Jones’s painting in the 1870s. Altogether 250 works from collections all over the world are illustrated and discussed by scholars such as Mary Bennett, Judith Bronkhurst, John Christian, Alastair Grieve, Benedict Read and Malcolm Warner. In his introduction, Sir Alan Bowness surveys the development of Pre-Raphaelitism and examines to what extent it was ever a shared style. The chronological arrangement of the book is designed to focus on the same question and to suggest the numerous cross-currents of the movement.
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