White Boy Singin’ the Blues
“White Boy Singin’ the Blues” by Michael Bane, published by Penguin Books on January 28, 1982, offers a detailed exploration of the musical history of Memphis, a city pivotal to the development of rock’n’roll. This edition spans 269 pages and is presented in English. The book delves into the interactions between white and black musical traditions, tracing the evolution of music from its black roots in spirituals and blues to the emergence of rock’n’roll and its subsequent transformations through various genres.
Readers will find a comprehensive examination of the cultural dynamics that shaped this hybrid music, as Bane discusses significant movements such as the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The narrative provides insights into the historical context of these musical developments, making it a valuable resource for those interested in the intersections of race and music in American culture.
Official synopsis Publisher
“White Boy Singin’ the Blues” is both a musical history of Memphis, the city which gave birth to rock’n’roll, and an examination of the ways in which white and black musics have interacted. In this work, Michael Bane examines the whole history of the music, from the black roots of spirituals and blues, through the beginnings of rock’n’roll, and its evolution through the Twist, the British Invasion, Motown, funk, Southern boogie, and disco. The result is an idiosyncratic history of rock, and a culturally penetrating account of this hybrid music.
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