Shingu Message from Nature

Shingu Message from Nature by Pierre Restany, published by National Geographic Books on October 14, 1997, is a first edition monograph that explores the work of artist Susumu Shingu. This 287-page book presents Shingu’s kinetic sculptures, which harmoniously blend high technology with natural elements, showcasing how wind and water power his artistic creations. Originally trained as a painter, Shingu transitioned to sculpture, drawing inspiration from the movement of his shaped canvases in the breeze.
Readers will discover a comprehensive collection of Shingu’s works, which are located globally, from Japan to the United States. The book includes the artist’s insights on his sculptures, alongside essays by Pierre Restany and Renzo Piano, and an interview with Joseph Giovannini. This edition captures the essence of Shingu’s artistic journey, emphasizing his unique approach to integrating art with nature, as well as his contributions to children’s literature and theater.
Official synopsis Publisher
Susumu Shingu’s graceful wind and water-powered kinetic sculptures represent the perfect harmony between high technology and nature.
Although originally trained as a painter, Shingu became interested in sculpture when he saw one of his shaped canvases turning softly in the wind. The work that followed relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works. By the time of Expo ’70 in Osaka, Shingu had been commissioned to create a piece for the plaza. It contained many of the elements he would use later: parts of it were moved by both wind and water, in some ways harnessing their power but also buffeted by it. His work walks the fine line between complementing nature and being an integral part of it. The pieces, though large, colorful, and usually made of modern materials, adopt nature’s rhythms in their movement.
Shingu’s sculpture is found around the world, from Japan to France, Italy, and the United States. In addition to creating sculptures, he has written and illustrated several children’s books and designed several theater pieces that integrate his sculptures and installations with dramatic stories. All of these endeavors are collected here — along with the artist’s comments on many of the sculptures, essays by Pierre Restany and Renzo Piano, and an interview with Joseph Giovannini — in a monograph that provides a complete portrait of Shingu’s diverse career.
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