Flicker A Novel

Flicker A Novel by Theodore Roszak, published by Chicago Review Press in 2005, is an expanded edition that spans 608 pages. This work presents a thrilling exploration of the cinematic world, intertwining fact and fantasy as it delves into the secret history of movies. The narrative follows Jonathan Gates, whose academic pursuits lead him to uncover a tale filled with intrigue and deception, centered around the enigmatic figure of Max Castle, a once-renowned director of horror films who mysteriously vanished in the 1940s.
Readers will find themselves immersed in a journey that traverses the evolution of cinema, from art films to the darker realms of X-rated and splatter genres. As Jonathan’s obsession with Castle deepens, he encounters a variety of characters, including notable figures like Orson Welles and John Huston, who reveal the complexities behind the film industry. The story navigates through themes of nostalgia and the hidden meanings within cinematic experiences, offering insights into the interplay between entertainment and deeper metaphysical mysteries.
Official synopsis Publisher
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies–a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle’s disappearance, the innocent entertainments of his youth–the sexy sirens, the screwball comedies, the high romance–take on a sinister appearance. His tortured quest takes him from Hollywood’s Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there’s more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.
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