The Man Nobody Knows

The Man Nobody Knows by Bruce Barton, published by Ivan R. Dee on April 18, 2000, is a 128-page exploration of the portrayal of Jesus in the context of the 1920s. In this edition, Barton presents Christ as a dynamic figure, contrasting with traditional depictions. He emphasizes Jesus as a relatable character who engaged with society, turning water into wine and embodying the spirit of the era, rather than the meek figure often depicted in religious teachings.
Readers will find that this edition, revised by historian Richard Fried, delves into the intersections of religion and business during a transformative decade. Fried’s analysis highlights Barton’s original language while examining cultural shifts related to consumption, leisure, and gender roles. This book offers insights into how these themes were reflected in Barton’s vision of Jesus as a leader and innovator, making it a thought-provoking read for those interested in Christian biography and historical perspectives.
Official synopsis Publisher
Bruce Barton’s 1925 effort to reconfigure Jesus for the Roaring Twenties turned into one of the great best-sellers of the century. In The Man Nobody Knows, Barton depicted Christ as a man’s man, not the meek, effeminate figure he had encountered in Sunday School. No Puritan or Prohibitionist, this Jesus turned water into wine and was “the most popular dinner guest in Jerusalem.” Here was the world’s first advertising man, whose parables sparkled as models for modern jingle writers. (Barton had co-founded the celebrated advertising firm of Batten, Barton, Durstine and Osborne.) Here was Christ, the world’s greatest business executive, who “picked up twelve men from the bottom ranks of business and forged them into an organization that conquered the world.” When in the 1950s Barton felt compelled to revise his often-reprinted book for a new generation, he blurred its focus. In this new edition, the historian Richard Fried revives the primary source in Barton’s original language. Mr. Fried explores the book’s rich insights into the culture of the 1920s, revealing not only the union of religion and business but changing attitudes toward consumption and leisure, sexuality and the roles of men and women.
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