WHEREAS Poems

WHEREAS Poems by Layli Long Soldier, published by Graywolf Press on March 7, 2017, is a reprint edition comprising 101 pages. This collection engages with the complex language of the United States government in relation to Native American peoples and tribes, exploring themes of identity and cultural responsibility. Through a mix of short lyrics, prose poems, and narrative sequences, Long Soldier reflects on her experiences as a citizen of both the United States and the Oglala Sioux Tribe.
Readers will find a thoughtful examination of language and its implications, as Long Soldier addresses her own heritage and the challenges of teaching cultural identity to the next generation. The work delves into the intersections of Indigenous languages and American poetry, offering insights into personal and collective histories. This edition invites readers to consider the nuances of belonging and the multifaceted nature of identity within the context of contemporary literature.
Official synopsis Publisher
Finalist for the National Book Award for Poetry
WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.
—from “WHEREAS Statements”
WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.
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