Day Dreams

Day Dreams by Rudolph Valentino, published by Via Industria Edizioni in 2013, is a revised edition featuring 180 pages of poetry. Written in 1923 during a tumultuous period in Valentino’s life, this collection reflects his exploration of the occult and spiritualism while he was advocating for better production standards in his film career. The poems are shrouded in mystery, as claims surrounding their authorship suggest they may have been transcribed through automatic writing, channeling messages from spirit guides and deceased poets.
Readers will find a unique blend of poetic expression that intertwines Valentino’s personal struggles with themes of spirituality and the supernatural. The collection has sparked ongoing discussions among his admirers regarding the true nature of its creation. Despite being available in various formats, the poems remain under the copyright protection of the Valentino family, with this edition reaffirming their rights. This book offers a glimpse into the artistic and enigmatic world of one of silent cinema’s most iconic figures.
Official synopsis Publisher
When silent film icon Rudolph Valentino penned this book of poetry in 1923, he was waging a ‘one man strike’ against his studio demanding higher quality production standards for his films. While he struggled to find a solution to this employment impasse, he delved into the occult and spiritualism and wrote his Daydreams poems. Shortly after Valentino’s sudden death in 1926, his ex-wife, Natacha Rambova claimed her husband was adept at receiving messages from the other side via automatic writing. She also alleged that Valentino did not write the Daydreams poems, but instead transcribed them while in a trance, channeling them from his own spirit guides and noted, deceased poets. Although these poems appear online and in other publications, they are still protected by the copyright protection of the Valentino family. In 2002, the Valentino family granted Evelyn Zumaya contractual permission to reissue the poems, “in any edition” of this publication and she has reasserted their copyright protection in this second edition. The mystery of the true authorship of Valentino’s fascinating “psychic” poems remains unsolved and continues to be the subject of discussion for Valentino’s many ardent admirers.
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