Jim Sanborn: Atomic Time: Pure Science and Seduction

Cover of Jim Sanborn: Atomic Time: Pure Science and Seduction by Jonathan Binstock
Year: 2004
Language: en
Edition: First Edition
Pages: 96
ISBN-13: 9780886750725
Dimensions:
Height: 11.76 Inches
Length: 10.18 Inches
Weight: 2.06 Pounds
Width: 0.55 Inches
Dewey Decimal: 709/.2
Editorial overview Touché

Jim Sanborn: Atomic Time: Pure Science and Seduction by Jonathan Binstock, published by the Corcoran Gallery of Art on January 2, 2004, is a first edition that spans 96 pages. This book explores the intersection of art and science through the works of sculptor and conceptual artist Jim Sanborn, focusing on his dual projects: the Atomic Time photographs and the installation Critical Assembly. The projects reflect Sanborn’s interests in invisible natural forces and secrecy, drawing inspiration from the historical context of the Manhattan Project.

Readers will find a detailed examination of Sanborn’s artistic approach, which includes a series of photographs characterized by a striking cobalt blue hue, evoking the essence of radioactivity. The installation Critical Assembly features authentic artifacts from the Los Alamos Scientific Laboratory, showcasing instruments and materials from the mid-20th century. This edition provides insights into the themes of installations in art, as well as the historical significance of the atomic age, making it a thoughtful addition for those interested in the interplay between art and science.


Official synopsis Publisher

In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of photographs called Atomic Time and images of his latest work, the room-sized installation Critical Assembly. Inspired by the Manhattan Project, the first nuclear weapons program at the Los Alamos Scientific Laboratory, Critical Assembly is a representation of what was once a secret site of government-sponsored research. The installation includes actual examples of electronic instruments, hardware, furniture, tools and materials from the Los Alamos Laboratory of the 1940s, 50s and 60s, which Sanborn acquired from retirees living in New Mexico who worked on the Project. The photographs in the Atomic Series are distinguished by an intense cobalt blue-like color, similar to the true color of radioactivity. Half of the series is of abstract images made by exposing sheet film to actual pieces of uranium ore; the other represents an assortment of radium-dial alarm clocks made between 1920 and 1950, acquired from regions around the Trinity Site in New Mexico, where the first atomic bomb exploded.

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This page includes the available description and bibliographic details for “Jim Sanborn: Atomic Time: Pure Science and Seduction” by Jonathan Binstock. Synopsis preview: In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of ph…
Who is the author of “Jim Sanborn: Atomic Time: Pure Science and Seduction”?
“Jim Sanborn: Atomic Time: Pure Science and Seduction” is credited to Jonathan Binstock.
When was “Jim Sanborn: Atomic Time: Pure Science and Seduction” published?
Publisher: Corcoran Gallery of Art. Year: 2004.
What is the ISBN for “Jim Sanborn: Atomic Time: Pure Science and Seduction”?
ISBN-13: 9780886750725.
What are the book details (language, pages, edition)?
Language: en. Pages: 96. Edition: First Edition.

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