Dead Girls

Dead Girls by Selva Almada, published by Charco Press in 2020, is a poignant exploration of gender violence set against the backdrop of provincial Argentina. This edition, comprising 146 pages, delves into the tragic stories of three young women murdered in the early 1980s, a time when the country was celebrating its return to democracy. Almada presents these narratives with a blend of journalistic rigor and literary depth, drawing parallels to works like Truman Capote’s In Cold Blood.
In this hybrid work, Almada examines the brutal realities faced by women, weaving together the cases of Andrea Danne, María Luisa Quevedo, and Sarita Mundín. The book addresses themes of crime and societal indifference, offering a clear-eyed portrait of the violence that remains relevant today. While it includes elements of mystery and investigation, it transcends traditional genres, providing a multifaceted view of femicide long before the term gained prominence. Readers will find a hard-hitting narrative that resonates with contemporary discussions on women’s rights and violence.
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Author of International Booker Finalist Not a River
Internationally acclaimed author of Not a River , Selva Almada tackles the issue of gender violence in this hybrid work that follows in the tradition of Truman Capote’s In Cold Blood or John Hersey’s Hiroshima .Evoking with intimate first-hand knowledge the heat and dust of provincial Argentina, with all its secrets and conflicting loyalties, Almada tells the stories of three young women murdered in the early 1980s, as the country was celebrating its return to democracy. Three deaths that were never brought to justice and occurred long before the term ‘femicide’ became widely known: nineteen-year-old Andrea Danne, stabbed in her own bed; fifteen-year-old María Luisa Quevedo, raped, strangled, and dumped in wasteland; and twenty-year-old Sarita Mundín, whose disfigured body washed up on a river bank. In this brutal yet deeply important book, Selva Almada weaves these and other cases of violence against women into a clear-eyed, multi-faceted portrait that has global resonance.This is not a police chronicle, although there is an investigation. This is not a thriller, although there is mystery and suspense. Hard-hitting and lyrical, Almada blazes a new trail in journalistic fiction.
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