Alien diaries 7/8

Alien Diaries 7/8 by H. R. Giger, published by Edition Patrick Frey in 2013, presents a unique insight into the creative process behind the iconic film Alien (1979). This 3rd revised edition spans 660 pages and is available in English. Through a combination of transcribed diaries, sketches, and photographs taken with his Polaroid SX70, Giger shares his experiences working at Shepperton Studios, where he crafted figures and sets for the film directed by Ridley Scott.
Readers will find a candid portrayal of Giger’s challenges in the film industry, marked by his struggles with producers and staff as he sought to bring his designs to life. The Alien Diaries reveal a personal side of Giger, showcasing almost entirely unpublished material, including drawings and Polaroids that document the evolution of the film’s monster. This edition offers a detailed glimpse into the intersection of art and film, appealing to those interested in graphic arts, design, and the creative processes of individual artists.
Official synopsis Publisher
A window into the making of a classic movie
HR Giger worked in the Shepperton Studios near London from February to November 1978, creating the figures and sets for the film Alien (1979) directed by Ridley Scott. The film became an international success, earning Giger an Oscar. In the transcribed Alien Diaries, published here for the first time as a facsimile, HR Giger describes his work in the studios. He writes, sketches, and takes photographs with his Polaroid SX70. With brutal honesty, sarcasm and occasional despair, Giger describes what it is like working for the film industry and how he struggles against all odds be it the stinginess of producers or the sluggishness of his staff to see his designs become reality. The Alien Diaries (in German transcription with an English translation) show a little-known personal side of the artist HR Giger and offer an unusual, detailed glimpse into the making of a movie classic through the eyes of a Swiss artist. The book contains almost completely unpublished material, including drawings, Polaroids showing the monster coming to life, and several still shots from the plentiful film material that Giger took in Shepperton.
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