Yoshitomo Nara: Pinacoteca

Yoshitomo Nara: Pinacoteca by Simon Reynolds is a detailed exploration of the recent works of the renowned Japanese artist, published by Pace in 2022. This edition, comprising 105 pages, presents a miniature gallery that reflects Nara’s ongoing investigation into the interplay between art and its spatial context. The book focuses on Nara’s latest exhibition at Pace’s London gallery, featuring a multiroom installation that reinterprets his earlier project, London Mayfair House.
Readers will find an in-depth examination of Nara’s new paintings, sculptures, and works on cardboard that were part of the exhibition. The book also includes essays by Simon Reynolds and curator Stephanie Rosenthal, which delve into the connections between music and Nara’s artistic practice, as well as the significance of built environments in his work. This edition serves as a comprehensive monograph on Nara’s artistic contributions, highlighting his unique approach to art and space.
Official synopsis Publisher
Recent works and a gorgeously crafted miniature gallery from the much-loved Japanese artist
From the outset of his career, Japanese painter and sculptor Yoshitomo Nara (born 1959) has fruitfully explored the relationship between art and the space in which it is placed. At the cornerstone of Nara’s recent exhibition in Pace’s London gallery was the most recent product of his ongoing study: a new multiroom installation that was reworked from an earlier project titled London Mayfair House.
Borrowing its title from the Ancient Greco-Roman term for a public art salon, Pinacoteca (2021) is a specially crafted, tiny, homelike structure that imitates an exhibition space. On the internal walls, the artist hung new paintings on wood and canvas as well as drawings on paper, used envelopes and cardboard boxes. On the external walls, which have been directly painted onto, Nara hung new paintings that are stylistically simpler and more graphic than the works inside the installation.
Yoshitomo Nara: Pinacoteca presents a close look at the structure, as well as the artist’s recent paintings, sculpture and works on cardboard also displayed in the exhibition. An essay by acclaimed music writer Simon Reynolds explores the relationship of music to Nara’s artistic production, and an essay by curator Stephanie Rosenthal dives deep into the role of built environments in the artist’s oeuvre.
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