Wake Up, Nat & Darcy
Wake Up, Nat & Darcy by Kate Cochrane is a contemporary romance published by Harlequin Enterprises ULC on November 12, 2024. This original edition spans 352 pages and is presented in English. The story follows Natalie Carpenter, who, after being cut from the U.S. women’s hockey team, takes on a guest hosting role for winter games coverage. Her co-host is none other than her ex-girlfriend, Darcy LaCroix, a former college teammate turned rival, setting the stage for a complex dynamic filled with unresolved feelings.
Readers will find a blend of romance and sports as Nat and Darcy navigate their past while working together on the show. The narrative explores themes of rivalry and rekindled connections, as they confront their history amidst the pressures of public perception and the demands of their careers. With the hashtag #PuckingHotties gaining traction, the two women must balance their professional obligations with the undeniable chemistry that resurfaces, challenging their ability to distinguish between what is real and what is merely for the cameras.
Official synopsis Publisher
Ex-lovers. Ex-rivals. New cohosts. Oh, puck.
Cut from the U.S. women’s hockey team right before her third chance at gold, Natalie Carpenter is scrambling for a plan that’ll help her avoid moving back home. The answer: a guest hosting gig on Wake Up, USA’s winter games coverage. Her co-host: Darcy LaCroix, Nat’s ex-girlfriend, one-time college teammate turned adversary.
Since leaving Team Canada, Darcy has worked hard to make a name in broadcasting. If her big break requires sharing screen time with the former cocky freshman who turned her world upside down, so be it. At this point, there’s nothing between them except history.
But audiences disagree. #PuckingHotties is trending hard, and Nat and Darcy agree to lean into it…for ratings, obviously. It’s not like Nat can forget the way Darcy broke her heart or their bitter team rivalry.
Between working, traveling together, and that irresistible spark, it’s getting hard to separate what’s real and what’s for the camera. Because somewhere underneath everything that went wrong is the sneaking suspicion that nothing will ever feel quite this right again.
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