The Romantic Revolution
The Romantic Revolution by T. C. W. Blanning, published by Phoenix in 2011, offers a detailed exploration of the transformative impact of the Romantic Movement on art and expression. This edition, comprising 248 pages, delves into how this cultural shift, alongside the French and Industrial Revolutions, fundamentally altered perceptions and artistic practices in Europe. Blanning examines the contributions of notable figures such as Byron, Wordsworth, and Beethoven, highlighting how they reshaped the landscape of creativity and the role of the artist.
Readers will find that this book presents a comprehensive account of the Romantic Revolution, emphasizing its significance in redefining art and the artist’s place in society. The narrative illustrates how this movement marked a departure from traditional artistic conventions, positioning creators as central figures in cultural discourse. By tracing the evolution of this period, Blanning reveals the lasting effects of the Romantic Movement on civilization, social history, and literary criticism, making it a valuable resource for those interested in the intersections of art and history.
Official synopsis Publisher
A compelling and persuasive account of how the Romantic Movement permanently changed the way we see things and express ourselves.
Three great revolutions rocked the world around 1800. The first two – the French Revolution and the Industrial Revolution – have inspired the greatest volume of literature. But the third – the romantic revolution – was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime.
This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning’s sparkling, wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.
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