Flann O’Brien Gallows Humour

Flann O’Brien Gallows Humour by Ruben Borg, published by Cork University Press in 2020, is a scholarly collection of essays that examines the intricate relationship between politics and art in Flann O’Brien’s work. This edition, comprising 343 pages, presents a critical exploration of how O’Brien’s writing engages with themes such as violence, justice, and the comic spirit, offering readers a nuanced understanding of his modernist experimentation.
The essays in this volume focus on key intersections between the body and the law, as well as the interplay between death and humor in O’Brien’s canon. Through innovative analyses, the contributors delve into various topics, including biopolitics, capital punishment, and societal issues, reflecting on O’Brien’s treatment of subjects like illness, masculinity, and popular culture. This critical inquiry invites readers to consider the broader implications of O’Brien’s work within the contexts of literary criticism and political commentary.
Official synopsis Publisher
The essays collected in this volume draw unprecedented critical attention to the centrality of politics in Flann O’Brien’s art. The organising theme of Gallows humour focuses these inquiries onto key encounters between the body and the law, between death and the comic spirit in the author’s canon. These innovative analyses explore the place of biopolitics in O’Brien’s modernist experimentation and popular writing through reflections on his handling of the thematics of violence, justice, capital punishment, eugenics, prosthetics, skin, prostitution, syphilis, rape, reproduction, illness, auto-immune deficiency, abjection, drinking, Gaelic games and masculinist nationalism across a diverse range of genres, intertexts, contexts.
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