Cambridge and Clare

Cambridge and Clare by Harry Godwin, published by Cambridge University Press on August 20, 2009, is an illustrated edition comprising 256 pages. This book reflects on Sir Harry Godwin’s sixty years at Clare College, University of Cambridge, where he began as an undergraduate in 1919 and later became a Fellow. It chronicles his journey as a botanist and a pioneer in Quaternary Research in England, highlighting his contributions to the understanding of plant remains and their distribution in Eastern England.
Readers will find a blend of personal memoir and scientific insight as Godwin shares his experiences within the college and the broader scientific community. He reminisces about the small college societies of a bygone era and the characters that populated them, while also explaining his scientific work in accessible terms. The narrative serves as a microcosm of Cambridge and English life, offering a unique perspective on the academic and social landscape of the time, making it relevant for those interested in literary criticism and higher education.
Official synopsis Publisher
Sir Harry Godwin looks back over sixty years of life at Clare College, the University of Cambridge and its very distinguished school of Botany. He came to Clare in 1919 as an undergraduate, became an early research student and was a Fellow from 1925. A botanist, he was virtual founder of the science of Quaternary Research in England, using the technique of pollen analysis to show the age of plant remains and their distribution, especially in the Fens and peat bogs of Eastern England. His History of the British Flora (CUP 1956) is a classic. Sir Harry contemplates his threefold life, as a deeply loyal college man, as a Cambridge researcher and professor, as a member of the wider scientific world. He remembers the long-past Cambridge of small college societies, still in touch with the Victorian world, and tells of its characters and conventions. He explains his own scientific work in terms that any reader can understand. The whole story is a microcosm of Cambridge and English life: the time and the world of Snow’s The Masters, but made more real and a great deal more genial.
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