Plotting and Writing Suspense Fiction

“Plotting and Writing Suspense Fiction” by Patricia Highsmith, published by David & Charles in 1989, offers a detailed examination of the essential components of suspense fiction. In this 145-page book, Highsmith draws on her extensive experience as a writer to discuss various aspects of crafting a compelling narrative. She explores how to transform an idea into a complete story, the elements that make a plot engaging, and the intricacies of characterization, particularly focusing on the “likeable criminal.”
Readers will find that Highsmith provides practical insights into the writing process, including the transition from first draft to final draft and the nuances of writing suspense short stories. Throughout the book, she shares examples from her own work, illustrating her points with anecdotes about her inspirations and challenges. This edition serves as a valuable resource for aspiring writers of crime and suspense fiction, as well as for those who appreciate the genre.
Official synopsis Publisher
Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the “likeable criminal”; going from first draft to final draft; and writing the suspense short story.Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.
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