Doris Lessing Border Crossings

Doris Lessing Border Crossings by Alice Ridout, published by Bloomsbury Academic on October 13, 2009, is a scholarly exploration of the multifaceted literary contributions of Doris Lessing. This essay collection examines the reasons behind the relatively limited critical attention given to Lessing, despite her Nobel Prize for Literature. It delves into her extensive career of crossing national and ideological borders, highlighting the diverse contexts of her writing.
Readers will find a thorough analysis of Lessing’s work, focusing on her genre-defying narratives and ideological shifts, including her engagement with sci-fi and post-colonial themes. The collection also addresses contemporary critical approaches to her writing, such as eco-criticism and discussions surrounding maternity in works like The Fifth Child and The Grass is Singing. With 172 pages, this edition provides a comprehensive look at Lessing’s literary landscape, making it a valuable resource for those interested in literary criticism and the complexities of her oeuvre.
Official synopsis Publisher
Despite winning the Nobel Prize for Literature, Doris Lessing has received relatively little critical attention. One of the reasons for this is that Lessing has spent much of her lifetime and her long published writing career crossing both national and ideological borders. This essay collection reflects and explores the incredible variety of Lessing’s border crossings and positions her writing in its various social and cultural contexts. Lessing crosses literal national borders in her life and work, but more controversial have been her crossings of genre borders into sci-fi and “space fiction”, and her crossing of ideological borders such as moving into and out of the Communist Party and from a colonial into a post-colonial world. This timely collection also considers a number of the most interesting recent critical and theoretical approaches to Lessing’s writing, including work on maternity and abjection in relation to The Fifth Child and The Grass is Singing, eco-criticism in Lessing’s ‘Ifrakan’ novels, and postcolonial re-writings of landscape in her African Stories.
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