Marianna Christofides Days in Between

Marianna Christofides Days in Between by Bernd Bräunlich, published by Hatje Cantz in 2021, presents a comprehensive exploration of Marianna Christofides’s decade-long project focused on the Balkans, a region marked by historical and geopolitical complexities. This edition, comprising 266 pages, delves into the evolution of Christofides’s work, which began as a 16mm essay film and has since transformed into various artistic expressions, including multi-channel film projections and site-specific installations.
Readers will find a rich assembly of insights into Christofides’s diverse aesthetic practices, informed by contributions from nine critical voices in the arts and academia. The book engages with themes such as landscape and space in postcolonial contexts, as well as essayistic film practice. By incorporating perspectives from new materialism and Deleuzian film theory, this work highlights the ways in which Christofides’s art fosters conversations around critical-emancipatory knowledge production in the arts.
Official synopsis Publisher
Days In Between is Marianna Christofides’s decade-long project of multi-layered encounters with “the Balkans,” one of Europe’s historically and geopolitically most contested “fracture zones.” Initially realized as a 16mm essay film, the project has continued to evolve in various modes: as multi-channel analogue film projection, site-specific audio installation, silkscreen prints, light sculpture, geologic-photographic assemblage, text and 16mm film study. This book draws on Christofides’s recent solo exhibition at MNAC, Bucharest and gives, for the first time, a profound insight into her diverse aesthetic work and unique artistic practice. It assembles nine critical voices from the arts and academic world. Thinking with new materialism, Deleuzian film theory and philosophical studies on time and space, the contributors highlight the multiple ways in which the artist’s work opens up conversations around landscape and space in postcolonial contexts, essayistic film practice and forms of critical-emancipatory knowledge production in the arts.
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