The Worm Ouroboros by E.R. Eddison, Fiction, Fantasy

The Worm Ouroboros by E.R. Eddison, published by Wildside Press in February 2004, is a fantasy novel that immerses readers in an imaginary world reminiscent of medieval times and Norse sagas. First published in 1922, the book describes the protracted war between King Gorice of Witchland and the Lords of Demonland, exploring themes of conflict and power in a richly constructed setting.
Readers will find a narrative that intertwines epic battles and complex characters, presenting a tale that reflects the grandeur of classic fantasy literature. The book delves into the motivations and struggles of its characters, offering a unique perspective on the nature of war and ambition. With 400 pages of text, this edition invites exploration of its literary depth and imaginative scope, appealing to those interested in classic and epic fantasy narratives.
Official synopsis Publisher
First published in 1922. The book describes the protracted war between the domineering King Gorice of Witchland and the Lords of Demonland in an imaginary world that appears mainly medieval and partly reminiscent of Norse sagas. THE WORM OUROBOROS, no worm, but the Serpent itself, is a wonderful book. As a story or as prose it is wonderful, and, there being a cause for every effect, the reason for writing it should be as marvelous again. Shelley had to write the Prometheus Unbound, he was under compulsion; for a superhuman energy had come upon him, and he was forced to create a matter that would permit him to imagine, and think, and speak like a god. It was so with Blake, who willed to appear as a man but existed like a mountain; and, at their best, the work of these poets is inhuman and sacred. It does not greatly matter that they had or had not a message. It does not matter at all that either can be charged with nonsense or that both have been called madmen — the same charge might be laid against a volcano or a thunderbolt — or this book. It does not matter that they could transcend human endurance, and could move tranquilly in realms where lightning is the norm of speed. The work of such poets is sacred because it outpaces man, and, in a realm of their own, wins even above Shakespeare.
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