Elemental Spectra

Elemental Spectra by John O’Loughlin is a philosophical work published by CreateSpace Independent Publishing Platform on July 17, 2014. This first edition spans 222 pages and is presented in English. The book explores the significance of the four basic elements—fire, water, earth, and air—across various disciplines, including science, politics, economics, and religion, while drawing ideological and moral lessons from these correlations.
Readers will find an in-depth investigation into the relationships between concepts such as being and doing, awareness and emotion, and individualism and collectivism. Elemental Spectra also critiques Arthur Koestler’s theories, particularly his views on the dichotomy between the ‘old brain’ and the ‘new brain.’ O’Loughlin acknowledges Koestler’s influence but aims to transcend his ideas, offering a comprehensive examination of metaphysical and philosophical themes.
Official synopsis Publisher
Originally dating from 1988-9 but now extensively revised, this major philosophical work investigates the significance of the four basic elements, viz., fire, water, earth, and air, with regard to a variety of different disciplinary contexts, including science, politics, economics and religion, and then seeks to draw ideological and moral lessons from the apperceived correlations. Of additional significance in relation to the Elements are the relationships between being and doing, awareness and emotion, mind and brain, nature and artifice, individualism and collectivism. There is also, within ‘Elemental Spectra’, a critique of Arthur Koestler’s tripartite theories, as developed in books like ‘The Act of Creation’ and ‘Janus – A Summing Up’, as well as a refutation of the theory underlying his psychological pessimism concerning the dichotomous relationship between what he calls the ‘old brain’ and the ‘new brain’, roughly corresponding to the cerebellum and the cerebrum. In fact, Koestler is no less the principal philosophical target of this work than Schopenhauer was of ‘Towards the Supernoumenon’, its predecessor, and although the author acknowledges his debt to Koestler’s influence on his thought, he was able to move beyond him at this point and accordingly dispense with a number of his theories. – A Centretruths Editorial.
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