Internet Art

Internet Art by Rachel Greene, published by Thames & Hudson in 2004, explores the transformative impact of the Internet on artistic expression. This 224-page book delves into how artists embraced the Internet as a platform for creative innovation following its rise as a global communication network in the mid-1990s. It examines various forms of Internet art, including email art, websites, and artist-designed software, highlighting how these mediums challenge traditional conventions and engage with pressing social, political, and ethical issues.
Readers will find a comprehensive investigation into the ways Internet art redefines concepts such as authorship, originality, and intellectual property. The book addresses the evolving social role of the artist and explores themes of identity, sexuality, economics, and power within the context of a networked society. Featuring insights from artists, curators, and critics, along with a timeline and glossary, Internet Art provides a structured overview of key works and technological developments that have shaped contemporary art practices.
Official synopsis Publisher
When the Internet emerged as a mass global communication network in the mid-1990s, artists immediately recognized the exciting possibilities for creative innovation that came with it. After a century of unprecedented artistic experimentation, individuals and groups were quick to use the new technologies to question and radically redefine the conventions of art, and to tackle some of the most pressing social, political, and ethical issues of the day. Covering email art, Web sites, artist-designed software, and projects that blur the boundaries between art and design, product development, political activism, and communication, Internet Art shows how artists have employed online technologies to engage with the traditions of art history, to create new forms of art, and to move into fields of activity normally beyond the artistic realm. The book investigates the ways Internet art resists and shifts assumptions about authorship, originality, and intellectual property; the social role of the artist; issues of identity, sexuality, economics, and power; and the place of the individual in the virtual, networked age. Throughout, the views of artists, curators, and critics offer an insider’s perspective on the subject, while a timeline and glossary provide easy-to-follow guides to the key works, events, and technological developments that have taken art into the twenty-first century.
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