Scriptwriting for the Screen
Scriptwriting for the Screen by Charlie Moritz, published by Psychology Press in 2001, is a comprehensive guide designed for those interested in writing for film and television. This 174-page book presents the foundational principles of screenwriting, offering insights on how to identify and formulate compelling stories while developing ideas to create engaging scripts.
Readers will find practical advice on essential skills for writing effective drama, including techniques for visualizing action and translating it into dynamic writing. The book features examples from a variety of well-known films and television programs, illustrating key concepts such as dramatization, metaphor usage, and character development. Additionally, it includes practical exercises aimed at enhancing technique and style, along with a guide to further reading for those looking to deepen their understanding of screenwriting.
Official synopsis Publisher
Scriptwriting for the Screen is an accessible guide to writing for film and television. It details the first principles of screenwriting and advises on the best way to identify and formulate a story and develop ideas in order to build a vivid, animated and entertaining script.
The book introduces the reader to the essential skills of writing effective drama. Using examples of scripts from a range of films and television programmes such as, American Beauty, The English Patient, The Fisher King, My Left Foot, Shallow Grave, Casablanca, Coronation Street and Our Friends in the North, Scriptwriting for the Screen includes:
* Advice on how to visualise action and translate this into energetic writing
* How to dramatise writing, use metaphor and deepen meaning
* Tips on how to determine the appropriate level of characterisation for different types of drama
* Practical exercises and examples which help develop technique and style
* A guide to further reading.
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