Memory and History Understanding Memory as Source and Subject

Memory and History: Understanding Memory as Source and Subject by Joan Tumblety, published by Routledge in 2013, delves into the intricate relationship between memory and history. This 224-page volume examines how historians approach memory and utilize various sources to analyze the interplay between these two fields. Through case studies from Europe, Australia, the USA, and Japan, the book highlights contemporary trends in memory studies while showcasing the diversity of methodologies employed by historians.
Readers will find a comprehensive exploration of key historiographical questions, including the theoretical and ethical challenges faced when engaging with memory. The chapters cover a wide array of topics such as oral history, memorialization, visual cultures, and the collective memories of war veterans. By addressing various primary sources, including photography, memoirs, and cultural artifacts, this book serves as an accessible guide for students of history and memory, enriching their understanding of how memory can illuminate the past.
Official synopsis Publisher
How does the historian approach memory and how do historians use different sources to analyze how history and memory interact and impact on each other?
Memory and History explores the different aspects of the study of this field. Taking examples from Europe, Australia, the USA and Japan and treating periods beyond living memory as well as the recent past, the volume highlights the contours of the current vogue for memory among historians while demonstrating the diversity and imagination of the field.
Each chapter looks at a set of key historical and historiographical questions through research-based case studies:
- How does engaging with memory as either source or subject help to illuminate the past?
- What are the theoretical, ethical and/or methodological challenges that are encountered by historians engaging with memory in this way, and how might they be managed?
- How can the reading of a particular set of sources illuminate both of these questions?
The chapters cover a diverse range of approaches and subjects including oral history, memorialization and commemoration, visual cultures and photography, autobiographical fiction, material culture, ethnic relations, the individual and collective memories of war veterans. The chapters collectively address a wide range of primary source material beyond oral testimony – photography, monuments, memoir and autobiographical writing, fiction, art and woodcuttings, ‘everyday’ and ‘exotic’ cultural artefacts, journalism, political polemic, the law and witness testimony.
This book will be essential reading for students of history and memory, providing an accessible guide to the historical study of memory through a focus on varied source materials.
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